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TIME: Almanac of the 20th Century
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TIME, Almanac of the 20th Century.ISO
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1990
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90
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<text>
<title>
(Dec. 31, 1990) Television
</title>
<history>
TIME--The Weekly Newsmagazine--1990
Dec. 31, 1990 The Best Of '90
</history>
<article>
<source>Time Magazine</source>
<hdr>
VIDEO, Page 44
BEST OF '90
</hdr>
<body>
<p> The Civil War (PBS). Even if it hadn't inspired a national
craze, filmmaker Ken Burns' 11-plus-hour documentary series
would rank as one of the medium's towering achievements--a
lucid, comprehensive and poignant narrative of the nation's
great calamity.
</p>
<p> In Living Color (Fox). The scripts have grown more erratic
since the debut last spring, but Keenen Ivory Wayans and his
talented family have perked up prime time with their sharp
impersonations and satirical derring-do. Two snaps up.
</p>
<p> Twin Peaks (ABC). Has it really been less than a year since
FBI agent Cooper (Kyle MacLachlan) first heard the name Laura
Palmer? After its stunning two-hour pilot episode, David Lynch's
oddball soap opera wavered a bit, wafted into mysticism and
dragged out its who-killed-Laura? mystery too long for some
impatient viewers. But the show has retained its idiosyncrasy
and its hold on the imagination.
</p>
<p> Maniac Mansion (Family Channel). Dad (Joe Flaherty) is an
amiably incompetent inventor, his four-year-old son is a hulking
six-footer and Uncle Harry is a housefly. From such nonsense a
group of SCTV alums have fashioned the looniest, sweetest family
comedy of the year.
</p>
<p> A Killing in a Small Town (CBS). A repressed Texas
schoolteacher (Barbara Hershey, in a shattering performance)
pays a visit to her neighbor, who is later found hacked to death
with an ax. This disturbing TV movie took the overworked
true-crime genre and infused it with a sense of spiritual
desolation.
</p>
<p> Red Hot + Blue (ABC). To benefit AIDS research, 20 rock
stars took a crack at Cole Porter, and several contributed
striking videos as well. Among the best: David Byrne's
high-spirited collage of faces for Don't Fence Me In and Annie
Lennox getting misty-eyed over home movies in a heartbreaking
Ev'rytime We Say Goodbye.
</p>
<p> Elvis (ABC). In the realm of unpromising ideas, this one
looked like a lulu: the King's early life recounted in half-hour
chunks of musical docudrama. The surprise was that star Michael
St. Gerard created a character, not just an Elvis impersonation,
and the short-lived series was a lovely evocation of the
American show-biz myth.
</p>
<p> Criminal Justice (HBO). Forest Whitaker, portraying a man
accused (justly or unjustly? We never know) of slashing a
hooker, struggles through the grinding, insensitive and
frequently unfair legal process. TV's docket is jammed with
courtroom dramas, but few have been as unsparing, or as moving.
</p>
<p> Eyes on the Prize II (PBS). Henry Hampton's first
documentary series about the civil rights movement stopped at
1965, just when things were getting complicated. His sequel
continued the story, from the Black Panthers to busing in
Boston, and sorted out the issues with the same insight and
evenhandedness.
</p>
<p> Mystery Science Theater 3000 (Comedy Channel). While we
watch campy old movies (Rocketship X-M; The Corpse Vanishes),
three outer-space wisecrackers provide tongue-in-cheek patter
from the front row. This goofy stunt, first cooked up for a
Minneapolis UHF station, is funnier than it has any right to be.
</p>
</body>
</article>
</text>